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dearmabel
Приєднався 30 лис 2007
Lully, "Enfin, il est en ma puissance" from Armide, with English subtitles
Stephanie d'Oustrac, mezzo
Les Arts Florissants
Conducted by William Christie
Les Arts Florissants
Conducted by William Christie
Переглядів: 2 647
Відео
MUHS 3703's St Matthew Passion, Socially Distanced Edition (full)
Переглядів 613 роки тому
This is a rough cut of MUHS 3703's socially distanced performance of excerpts from Bach's St Matthew Passion. Thank you all for your performances!
È tardi!: A belated compilation
Переглядів 1033 роки тому
A selection of sopranos and also other people, chosen more or less at random, uttering Violetta's immortal Act 3 exclamation. È tardi! is a place where pathos and camp coexist. Thank you to Twitter for the suggestions, all the bad ideas were my own.
"Starke Scheite schichtet mir dort" (Immolation) from Götterdämmerung
Переглядів 36 тис.11 років тому
Wagner, Das Rheingold conducted by Pierre Boulez directed by Patrice Chéreau Orchester der Bayreuther Festspiele Recorded 1980 in Bayreuth, Festspielhaus Immolation Brünnhilde: Gwyneth Jones
"Zurück vom Ring!" from Götterdämmerung
Переглядів 14 тис.11 років тому
Wagner, Das Rheingold conducted by Pierre Boulez directed by Patrice Chéreau Orchester der Bayreuther Festspiele Recorded 1980 in Bayreuth, Festspielhaus Immolation Brünnhilde: Gwyneth Jones Hagen: Fritz Hübner
"Winterstürme" and "Du bist der Lenz" from Die Walküre
Переглядів 48 тис.11 років тому
Wagner, Die Walküre conducted by Pierre Boulez directed by Patrice Chéreau Orchester der Bayreuther Festspiele Recorded 1980 in Bayreuth, Festspielhaus Winterstürme wichen dem Wonnemond and Du bist der Lenz Siegmund: Peter Hofmann Sieglinde: Jeannine Altmeyer
Das Rheingold, Prelude and Rhinemaidens (Chéreau, Boulez)
Переглядів 59 тис.11 років тому
Wagner, Das Rheingold conducted by Pierre Boulez directed by Patrice Chéreau Orchester der Bayreuther Festspiele Recorded 1980 in Bayreuth, Festspielhaus Vorspiel and Rheinmädchen
"Der Männer sippe saß hier im Saal" from Die Walküre (Boulez/Chéreau)
Переглядів 20 тис.12 років тому
From Patrice Chéreau's landmark Bayreuth production of "Der Ring des Nibelungen," filmed in 1980. Sieglinde: Jeannine Altmeyer Siegmund: Peter Hofmann Orchester der Bayreuther Festspiele Conducted by Pierre Boulez
"Già la mensa è preparata" from "Don Giovanni" (Calixto Bieito)
Переглядів 23 тис.14 років тому
Opening of the Act 2 finale of Mozart's "Don Giovanni," in a production by the infamous Calixto Bieito from the Gran Teatre del Liceu, Barcelona. Conducted by Bertrand de Billy Don Giovanni: Wojtek Drabowicz Leporello: Kwanchul Youn Donna Elvria: Véronique Gens
"Appena mi vedon" from La finta giardiniera
Переглядів 17 тис.16 років тому
Adriana Kučerová as Serpetta in Doris Dörrie's production of Mozart's "La finta giardiniera" for the Salzburger Festspiele. Taped January 2006. With Markus Werba as Nardo/Roberto. Mozarteum Orchester Salzburg Ivor Bolton
"Vorrei punirti, indegno" from La finta giardiniera
Переглядів 24 тис.16 років тому
Véronique Gens as Arminda gets her revenge in Doris Dörrie's unusual staging of Mozart's "La finta giardiniera," K. 196. From the 2006 Salzburg Festspiele Mozartjahr. With John Mark Ainsley as Belfiore and Ruxandra Donose as Ramiro, and the Mozarteum Orchester Salzburg conducted by Ivor Bolton.
"Domerò la tua fierezza" from Giulio Cesare
Переглядів 6 тис.16 років тому
From a 2004 production at the Gran Teatre del Liceu, countertenor Jordi Domènech as Tolomeo sings "Domerò la tua fierezza" from Act III of Handel's Giulio Cesare. The Orquestra Simfònica del Gran Teatre del Liceu is conducted by Michael Hofstetter.
Watched the whole of this performance yesterday. Magical.
「黄金から離れよ！！！！！！！！！！」。この叫びは古典ではなく今の世界にとどろいている咆哮そのもの。権力者がその私意のゆえに弱めた壮麗な経済圏だが、その燃え残った炎の中一人また一人と未来へ向かい歩みを進める。このような希望をこの楽劇は与えてくださいます。 改めて、芸術に感謝します。
1:10 I want this played at my funeral!❤
Straordinari ❤
Peter Hofmann, so sadly missed!😢
Das absolute Traum Geschwister Paar,
7:37 what subtle, but powerful emotion. Gwyneth Jones' expression at 8:10 is simply majestic and softly yet powerfully rapturous
4:58 divine.
Jawohll! This is most likely how Wagner pictured it. they are the perfect match physically and vocally.
令人心痛的絕唱❣️
this is the best recording of this aria online
I remember how many Wagner purists were outraged by the Communist symbology of Chereau's version of The Ring Cycle. I loved it and I still cry like a baby by the time the opera is over. Her voice and stage presence is brilliant. Brava
My precious!! Rheingold!
❤️
I always have an issue with productions which make Hunding's house very grand, as here in late Georgian splendour. Who has a house like this without a team of servants? That being the case, how does Siegmund just wander in, unchallenged?
Beautiful
Peter Hoffmann, war der beste Opernstar, aller Zeiten.
Fritz Wunderlich?
Tempi un po’ troppo stretti
Glorious , despite abrupt ending !
Didn't knew, that Thomas Gottschalk is an opera singer.
Wagner's music truly symbolizes the final judgement, the final victory of Christ over Satan and the dawn of the New Heaven and New Earth
Wonderful. Sadly Hoffman only sounded this good for only a couple more years.
Absolutely true, sadly.
Optisch der Siegmund schlechthin, aber das reicht nun mal überhaupt nicht. Ein durchschnittlicher Sänger wurde hoch geredet, mehr war er für mich nie.
Wenn wir heute doch nur einen einzigen solchen "durchschnittlichen" Wagner-Tenor auf der Welt hätten!
Oh bitte! Solche durchschnittlichen, möchtegern, Wagner-Sänger haben wir leider genug, was uns fehlt sind die echten. Man höre sich Windgassen, King, Hopf, Kollo, etc. an, das waren die wirklichen Helden. Heutzutage muss man Siegfried, Siegmund, Tannhäuser, Walther von Stolzing, mit Klaus Florian Vogt besetzen, und das ist einfach nur lächerlich. Und das ist genau der Grund weshalb es in Bayreuth Karten an der Abendkasse gibt, und die Vorstellungen trotzdem nicht ausverkauft sind. Für meine ersten Karten für Bayreuth, das war ca. 1979, stand ich 2 Jahre auf einer Warteliste. Ich wünsche ihnen noch einen schönen Tag. LG Michael
Peter Hofmann is one of my favorite heldentenors. He is great here as Siegmund. He performed Lohengrin at the Met and it was wonderful! Jeannine Altmeyer is also great here as Sieglinde.
They even look alike which is perfect for the scene They were in reality, not related
Sadly Hofmann would be at this height for only a few more years
Sublime !!!!!
Magnifique !!!! Mais il manque la sublime conclusion !!!! Dommage !!!
So natural and lovely.
what a joke - being paid for destroying European culture The new Tristan in Vienna ist just boring shit
Brava.
👍👍
Encore un merveilleux exemple de l'incomparable génie wagnérien ! A la splendeur de la musique s'ajoute les allitérations entendues dans le chant pendant l'hymne au printemps ,ce qui transcende encore plus la poésie de l'ensemble !!!
Wir verdanken Patrice Chereau diese vor allen anderen Inszenierungen stärkste Schlussgeste. Mehr geht nicht. Die Götterwelt versinkt, der Stab wird an die Menschheit übergeben. Großartig!
What an exciting performance by this artist! Thought she was Welsh; turns out she’s American. Bully!
She was Welsh. Gwyneth Jones was born in Pontnewynydd, Wales, in 1936.
???
Cortado el final !!
Why the hell would you upload this without the ending? what a disappointment.
this is wacky yet creative
Astonishing
What a rude ending!!!! Just stops........
🙏🙏🙏
Bellissima musica
che ricordi.....incancellabile ...poichè avevo 30 anni all'alba della maturità...un capolavoro così assoluto.. mi cambiò le prospettive di Ascoltatore troppo passivo della musica. L 'esperienza empatica e in questo Caso la laicità mistica del Mito Nordico portato da un Genio nei Nevai dell'Arte....acceso da un Cast splendido....e da una compagine registica e estetica e sonora.. fu un battesimo ancestrale .....Unico.
Mulher maravilhosa!
The greatest Welsh Wagnerian!
"Welsh" Rsrsrs
One understands not one single word she is singing (I am German) but she is stunning - so who cares.
I beg to differ. It's Bryn Terfel
Who wants to see the junk today in Bayreuth? Torture!
So basically Wotan was at his daughter Sieglinde’s wedding to an abusive husband, but did nothing to help her 🙁
Because he needed to set off his plan in motion, which was a long term plan. By remembering who Wotan was, Sieglinde probably foresaw that it was her fate, and simply accepted it.
記得當年覺得荷夫曼唱得不太好，但今天卻沒有那種感覺了。行！！
Man! That's a lot of E flat!
Bayreuth recognized the importance of getting the most attractive singers and it paid off. Who wants to see otherwise in a dvd. Plus their singing was superb.
It's true. Not only were Altmeyer and Hofmann great singers in the '70s (not so much later), but they also LOOKED like the Velsungs.
Bayreuth always prioritises Music. The looks as such are not that important. But the combination of world class singing and the interaction/relationship between singers is what makes this Walküre so special.
james morris: What an asinine uniformed statement. Yes, verisimilitude and ‘physique du role’ is important but never at the expense of interpretation. I would hear, and watch, singers who know the score, are musical and interpretive over physically beautiful performers who can only offer looks.
Indeed! Wagner is not shy about the high voltage eroticism between the sister and brother, and sensual beauty is a natural prerequisite. It adds to the piquant moral complexity. To a more Latin sensibility, even fewer clothes would be apt. But, after all, this is not Puccini 🤔.
Wait are you THE James morris!?
B ALSINGA MANEKENĖ, NEPALYGINSI SU HILDEGARD BEHRENS...
What a VOICE!! She was FANTASTIC!
And a superb actress, as well. I saw her at San Francisco as Elektra, the Färberin and the Siegfried Brünnhilde, and each time her identification with the character was total. Her intensity could be frightening, as in Elektra, overwhelming, as in Siegfried, and heartbreaking, as in FroSch. One of the greatest singing actresses I was privileged to see.
Yes I agree@ But no soprano till now (WAGNER) will reach Flagstad!
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